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Interval explorer
Choose a bottom note and an interval. Both notes appear on the staff and the keyboard, the semitones between them are counted for you, and you can hear the interval one note after the other or both together.
Interval explorer
Try it
Hear an interval
Pick a bottom note and a distance. Play it melodically, then harmonically — the same interval sounds quite different each way.
Reading an interval name
An interval has two parts. The number counts letter names, both ends included: C up to E spans C, D and E, so it is a third. The quality — major, minor, perfect, augmented or diminished — comes from the exact size in semitones. C to E is four semitones, a major third; C to E♭ is three, a minor third. Same letters, different quality.
That is why the explorer spells the top note from the letters rather than picking the nearest black key: a minor third above E♭ is G♭, not F♯, even though they are the same key.
Every interval inside an octave
| Interval | Short | Semitones | From C |
|---|---|---|---|
| Perfect unison | P1 | 0 | C → C |
| Minor second | m2 | 1 | C → D♭ |
| Major second | M2 | 2 | C → D |
| Minor third | m3 | 3 | C → E♭ |
| Major third | M3 | 4 | C → E |
| Perfect fourth | P4 | 5 | C → F |
| Augmented fourth | A4 | 6 | C → F♯ |
| Diminished fifth | d5 | 6 | C → G♭ |
| Perfect fifth | P5 | 7 | C → G |
| Minor sixth | m6 | 8 | C → A♭ |
| Major sixth | M6 | 9 | C → A |
| Minor seventh | m7 | 10 | C → B♭ |
| Major seventh | M7 | 11 | C → B |
| Perfect octave | P8 | 12 | C → C |
Hearing them apart is a separate skill from naming them on paper. The interval ear training lesson has a method for it; this explorer is the place to practise.
Learn the idea behind it
Look it up
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