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Tomus

Chord reference

Diminished triad

1 – ♭3 – ♭5 · example: Cdim = C – E♭ – G♭

Two stacked minor thirds. Unstable, and the natural chord on the seventh degree of a major scale.

Written as a formula it is 1 – ♭3 – ♭5: the degrees of the major scale it keeps, with any that are altered marked. On C that gives Cdim = C, E♭, G♭.

How it is built

  1. G♭
    third
  2. E♭
    minor
  3. Croot
Cdim stacked from the root upwards, with the interval between each pair of notes.
CE♭G♭
Cdim written out as an arpeggio, lowest note first.
CDEFGABCE♭G♭
Cdim on the keyboard. The root is the darker key.

Play it on any root

The explorer starts on Cdim. Strike it, then break it up one note at a time, then change the root — the shape on the keyboard is what stays the same. The other buttons are the chords one change away from this one.

The intervals above the root

Chord toneInterval above the rootSemitonesNote in Cdim
1Perfect unison0C
♭3Minor third3E♭
♭5Diminished fifth6G♭

Inversions

The same notes can be stacked in any vertical order. The chord keeps its name; what changes is which note is in the bass. See chord inversions for why that matters, or press any notes into the chord identifier to have the chord and its inversion named for you.

PositionNotesWritten as
Root positionC – E♭ – G♭Cdim
First inversionE♭ – G♭ – CCdim/E♭
Second inversionG♭ – C – E♭Cdim/G♭

This chord on every root

RootSymbolNotes
CCdimC – E♭ – G♭
D♭D♭dimD♭ – F♭ – A𝄫
DDdimD – F – A♭
E♭E♭dimE♭ – G♭ – B𝄫
EEdimE – G – B♭
FFdimF – A♭ – C♭
F♯F♯dimF♯ – A – C
GGdimG – B♭ – D♭
A♭A♭dimA♭ – C♭ – E𝄫
AAdimA – C – E♭
B♭B♭dimB♭ – D♭ – F♭
BBdimB – D – F
Twelve roots, one shape. The interval pattern above the root never changes.

Keep going

Nearby chords

All chord types

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