Key reference
The key of D major
2 sharps · D – E – F♯ – G – A – B – C♯
D major has 2 sharps: F♯, C♯. A piece in this key draws on D, E, F♯, G, A, B, C♯ and treats D as home.
The seven chords below are the ones built from those notes alone, which is why they sound like they belong together.
The key signature
Order of sharps
- F♯
- C♯
- G♯
- D♯
- A♯
- E♯
- B♯
This signature uses the first 2 of them: F♯, C♯.
The notes of the key
These are the notes of the major scale on this tonic. See the D major scale for the degrees and step pattern.
D – E – F♯ – G – A – B – C♯
The seven diatonic chords
Build a triad on each degree using only notes from the key and the qualities fall into a fixed pattern. That pattern is the same in every major key, which is why progressions transpose so cleanly.
| Degree | Roman | Chord | Notes | Function |
|---|---|---|---|---|
| 1 | I | D | D – F♯ – A | Tonic |
| 2 | ii | Em | E – G – B | Predominant |
| 3 | iii | F♯m | F♯ – A – C♯ | Tonic |
| 4 | IV | G | G – B – D | Predominant |
| 5 | V | A | A – C♯ – E | Dominant |
| 6 | vi | Bm | B – D – F♯ | Tonic |
| 7 | vii° | C♯dim | C♯ – E – G | Dominant |
Adding sevenths
Stack one more third on each and you get the seventh chords of the key.
| Roman | Chord | Notes |
|---|---|---|
| I | Dmaj7 | D – F♯ – A – C♯ |
| ii | Em7 | E – G – B – D |
| iii | F♯m7 | F♯ – A – C♯ – E |
| IV | Gmaj7 | G – B – D – F♯ |
| V7 | A7 | A – C♯ – E – G |
| vi | Bm7 | B – D – F♯ – A |
| vii° | C♯m7♭5 | C♯ – E – G – B |
Common progressions in D major
These are the same shapes you meet in every major key, written with this key’s chords.
I – V – vi – IV
- DITonic
- AVDominant
- BmviTonic
- GIVPredominant
I – vi – IV – V
- DITonic
- BmviTonic
- GIVPredominant
- AVDominant
ii – V – I
- EmiiPredominant
- AVDominant
- DITonic
Related keys
| Relationship | Key | Signature |
|---|---|---|
| Relative minor | B minor | Same signature |
| Parallel minor | D minor | 1 flats |
| One step sharpwards | A major | One more sharp |
| One step flatwards | G major | One more flat |