Key reference
The key of C major
no sharps or flats · C – D – E – F – G – A – B
C major has no sharps or flats. A piece in this key draws on C, D, E, F, G, A, B and treats C as home.
The seven chords below are the ones built from those notes alone, which is why they sound like they belong together.
The key signature
Order of sharps
- F♯
- C♯
- G♯
- D♯
- A♯
- E♯
- B♯
This key signature has no sharps or flats.
The notes of the key
These are the notes of the major scale on this tonic. See the C major scale for the degrees and step pattern.
C – D – E – F – G – A – B
The seven diatonic chords
Build a triad on each degree using only notes from the key and the qualities fall into a fixed pattern. That pattern is the same in every major key, which is why progressions transpose so cleanly.
| Degree | Roman | Chord | Notes | Function |
|---|---|---|---|---|
| 1 | I | C | C – E – G | Tonic |
| 2 | ii | Dm | D – F – A | Predominant |
| 3 | iii | Em | E – G – B | Tonic |
| 4 | IV | F | F – A – C | Predominant |
| 5 | V | G | G – B – D | Dominant |
| 6 | vi | Am | A – C – E | Tonic |
| 7 | vii° | Bdim | B – D – F | Dominant |
Adding sevenths
Stack one more third on each and you get the seventh chords of the key.
| Roman | Chord | Notes |
|---|---|---|
| I | Cmaj7 | C – E – G – B |
| ii | Dm7 | D – F – A – C |
| iii | Em7 | E – G – B – D |
| IV | Fmaj7 | F – A – C – E |
| V7 | G7 | G – B – D – F |
| vi | Am7 | A – C – E – G |
| vii° | Bm7♭5 | B – D – F – A |
Common progressions in C major
These are the same shapes you meet in every major key, written with this key’s chords.
I – V – vi – IV
- CITonic
- GVDominant
- AmviTonic
- FIVPredominant
I – vi – IV – V
- CITonic
- AmviTonic
- FIVPredominant
- GVDominant
ii – V – I
- DmiiPredominant
- GVDominant
- CITonic
Related keys
| Relationship | Key | Signature |
|---|---|---|
| Relative minor | A minor | Same signature |
| Parallel minor | C minor | 3 flats |
| One step sharpwards | G major | One more sharp |
| One step flatwards | F major | One more flat |