Key reference
The key of C minor
3 flats · C – D – E♭ – F – G – A♭ – B♭
C minor has 3 flats: B♭, E♭, A♭. A piece in this key draws on C, D, E♭, F, G, A♭, B♭ and treats C as home.
The seven chords below are the ones built from those notes alone, which is why they sound like they belong together.
The key signature
The key signature of C minor is B♭, E♭, A♭, written in that order in both clefs.
Order of flats
- B♭
- E♭
- A♭
- D♭
- G♭
- C♭
- F♭
This signature uses the first 3 of them: B♭, E♭, A♭.
The notes of the key
These are the notes of the natural minor scale on this tonic. Pieces in a minor key routinely raise the seventh, and sometimes the sixth, without changing the signature. See the C minor scale for the degrees and step pattern.
C – D – E♭ – F – G – A♭ – B♭
The seven diatonic chords
Build a triad on each degree using only notes from the key and the qualities fall into a fixed pattern. That pattern is the same in every minor key, which is why progressions transpose so cleanly.
| Degree | Roman | Chord | Notes | Function |
|---|---|---|---|---|
| 1 | i | Cm | C – E♭ – G | Tonic |
| 2 | ii° | Ddim | D – F – A♭ | Predominant |
| 3 | III | E♭ | E♭ – G – B♭ | Tonic |
| 4 | iv | Fm | F – A♭ – C | Predominant |
| 5 | v | Gm | G – B♭ – D | Dominant |
| 6 | VI | A♭ | A♭ – C – E♭ | Tonic |
| 7 | VII | B♭ | B♭ – D – F | Subtonic |
Adding sevenths
Stack one more third on each and you get the seventh chords of the key.
| Roman | Chord | Notes |
|---|---|---|
| i7 | Cm7 | C – E♭ – G – B♭ |
| iiø7 | Dm7♭5 | D – F – A♭ – C |
| IIImaj7 | E♭maj7 | E♭ – G – B♭ – D |
| iv7 | Fm7 | F – A♭ – C – E♭ |
| v7 | Gm7 | G – B♭ – D – F |
| VImaj7 | A♭maj7 | A♭ – C – E♭ – G |
| VII7 | B♭7 | B♭ – D – F – A♭ |
Common progressions in C minor
These are the same shapes you meet in every minor key, written with this key’s chords.
One caveat: the chords below are the strictly diatonic ones. In practice the chord on the fifth degree is usually raised to major (borrowing the leading tone from harmonic minor), because the natural minor’s minor v has no leading tone and so does not pull back to the tonic.
i – VI – III – VII
- CmiTonic
- A♭VITonic
- E♭IIITonic
- B♭VIISubtonic
i – iv – v – i
- CmiTonic
- FmivPredominant
- GmvDominant
- CmiTonic
i – VII – VI – V
- CmiTonic
- B♭VIISubtonic
- A♭VITonic
- GmvDominant
To hear them, play a progression below. It starts in C minor; change the key and the chord symbols change while the numerals stay put.
Related keys
| Relationship | Key | Signature |
|---|---|---|
| Relative major | E♭ major | Same signature |
| Parallel major | C major | no sharps or flats |
| One step clockwise (a fifth up) | G minor | One fewer flat |
| One step counter-clockwise (a fifth down) | F minor | One more flat |
Try it · choose a key
E♭ major · relative minor C minor
Key signature: 3 flats: B♭, E♭, A♭.
- E♭ major scale
- E♭ F G A♭ B♭ C D
- C minor (natural)
- C D E♭ F G A♭ B♭
- Clockwise: the dominant key (V)
- B♭ major, a fifth above — one fewer flat.
- Counter-clockwise: the subdominant key (IV)
- A♭ major, a fifth below — one more flat.
Related
- C minor scaleThe notes, degrees and step pattern.
- Key of E♭ majorShares this key signature.
- How key signatures workWhy the accidentals appear in a fixed order.
- The circle of fifthsHow this key relates to the other eleven.
- Interactive circle of fifthsEvery key, its signature, relative minor and neighbours, playable.