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Ear training

Hearing what you can already read — intervals, chords and pitch.

Last updated September 1, 2026

Ear training is the skill of naming what you hear. Not perfect pitch — that is something else, and mostly not trainable in adults. This is relative pitch: recognising the distance between notes, the quality of a chord, the shape of a phrase.

Why it matters more than it looks

Reading and hearing are separate skills that people wrongly assume come as a pair. Plenty of fluent readers cannot name a major third by ear. Plenty of self-taught players with excellent ears cannot read at all.

The ear side is what lets you learn a song without sheet music, transcribe a line you like, tune to a group, or hear that the second chord is wrong before anyone tells you.

Start with intervals

Interval ear training is the standard entry point, and for a good reason: intervals are the atoms. Once you reliably hear a perfect fifth and a major third, chord qualities start naming themselves.

What practice looks like

Short and frequent beats long and occasional. Five minutes daily will move you further in a month than a two-hour session every other weekend — which is precisely the shape of the ear training games in Tomus.

You need no instrument for any of this. Headphones and attention are the whole kit.

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